Jansen Field Trip (a guest blog post by Sean Dwyer)

Sean Dwyer, one of our Red Wheelbarrow Writers, has a knack for spotting the perfect place to write. For months he’s been keeping a blog about cafés and restaurants that accommodate and welcome writers. One Saturday at happy hour we learned about Sean’s gift for picking out serene locations with good mojo and before we knew it, we’d wrangled him into organizing our first Red Wheelbarrow Write Out retreat (to be clear, it didn’t take much wrangling–he was pretty keen on the idea). Below is his blog post about our SECOND retreat. Check our Facebook page for upcoming retreats.

Thank you Sean, for facilitating some of our best and most productive days as a group!!!!

Dwyer2_9x9 for web

Jansen Field Trip by Sean Dwyer

I’ve been wrestling with this Write Out post since late April, because the enormity of what I’m feeling is hindering my ability to express myself. In search of simplicity, I’m writing in the most retro setting I can create at home, by the light of three candles. Maybe the words will come now.

A couple of Saturdays ago, I spent the day writing among writers, a dozen of us in one room, and the experience has left me meditative and needing to share my feelings about writing in community.

A goal of my blog has been to remind writers that pulling away from the domestic cocoon provides, rather than removes, focus and productivity. What can you do in a café, other than write? The temptation to do the dishes, start a load of laundry, or take a nap disappears. I have been gratified to have writers tell me that my strategy has worked for them, and on that Saturday, for the second time, I was privileged to see the process work on a somewhat large scale.

The destination of the second Dwyer Café-Red Wheelbarrow Writers Write Out Field Trip was the Jansen Art Center in Lynden, Washington, a venue whose charms I described in this post. The Field Trips go pretty far afield, because the temptation to run home can overcome all of us, and I want to make doing so just difficult enough to keep writers writing all day.

The Jansen Art Center, nevertheless, is not an exotic, distant locale. Three traffic lights and three painless traffic circles away from Bellingham, this stunningly repurposed complex deserves your patronage as an airy, bright writing destination that wraps you in a blanket of creativity in all its forms. Whether you visit alone or take along a writer friend to keep each other on task, you should schedule into your visit some time to peruse the art on the wall, which can serve as a source of inspiration for your own work.

The dozen of us settled in to write at 10am, and until 3:15, the only breaks in the sound of twelve writers typing were those of writers leaving to order coffees and lunch, which the Jansen staff kindly brought upstairs to our digs in the former Lynden City Library. I was pleased and proud to be part of a group that could maintain its creative focus for so long. I was thrilled to have been the person who worked out the details with the Jansen folks so we could spend a day doing what we most wanted to do.

We often talk about the sum of an experience being greater than its parts, and that is how I perceived our writing session. I estimate that we wrote a total of about 100 pages, perhaps 30,000 words, most of a collaborative NaNoWriMo month compressed into five hours. I raised my face from my screen once in awhile, and what I saw around me was a circle of eleven women who were enthralled by their work. I saw beautiful faces made angelic by the wholeheartedly grasped opportunity to form a bond of energy, a protective canopy under which they could all simply be themselves and create.

At 3:15, we paused to have a reading happy hour. Some descended for more coffee or a glass of wine, and we reconvened at 3:30 to read until 4:30.

And that’s where writing this post, articulating what occurred, becomes difficult. We weren’t reading at an open mic event; most of us read from the day’s new pages. As the writers read, one after another, I saw clearly that the talent these writers display in the revised pieces they bring to readings is already at the surface when they lay their raw words on paper.

That may sound obvious, but it’s not. A lot of filtering and sifting happens between day one and the date of reading or publication. What these writers read that Saturday was already smooth, mellifluous prose, not the creaky false starts that sometimes lead writers to despair.

I would like to think that there was a collective consciousness, a synergy, that gave us all a boost we might not have felt if we had sat at home and written in solitude. I experienced something of that nature, even if it was just a desire not to be the lousiest writer in the room. I stepped up my game, because I knew I was fortunate to have been allowed to sit in that room with eleven amazing writers.

And so, I thank Tele Aadsen, Susan Chase-Foster, Jolene Hanson, Linda Lambert, Dawn Quyle Landau, Laurel Leigh, Hollie Levine, Kari Neumeyer, Janet Oakley, Cami Ostman, and Kathy Smith for creating a revealing dynamic. Janet used the time to write her acceptance speech for the mayor’s award presentation. I think more such awards will come to writers from that group over the next few years.

And what have I accomplished this week, between my Writing In and my Writing Out? First of all, the nonfiction manuscript I submitted to the Chanticleer Book Review contest has been named a finalist for the 2013 Journey Awards. At the Jansen, I wrote five pages of a novel manuscript I want to finish by mid-June. I also tweaked a few chapters of the thing I’m giving a final polish for submission to a contest. On top of that, I’m working up an interactive treatise on the Spanish subjunctive. It has been in the works for a while, so I may have it out for sale before anything else I’ve written.

I also took some time to focus on another love of mine: music. I created a music video for a recording of “Here’s to Life,” as sung by Mary Jane Fraser. Have a look at it: http://www.youtube.com/watch?v=WfX0ZJmIkFM

What have you written this week? Talk to you soon!

To find more of Sean’s recommendations, go to dwyercafe.com.

Jansen Field Trip Group

Jansen Field Trip Group

 

What If We All Bloomed

spring-flowersVictoria Doerper, one of our faithful RWB writers, sat down Sunday morning and a poem came to her—a poem about our community. Thank you for sharing your gift with us, Victoria!

Here it is:

What if We All Bloomed

What if we all bloomed
Truth
What if push and shove,
Take and conquer,
Those bitter forced fruits,
Blossomed instead
Into love?

What if we all bloomed
Unhampered by uncertainty,
Fortified by faith,
Tentative tendrils strengthened,
Vibrant blooms more vivid still,
Central songs unfurling
Into glitter and grit and balm.

What if we all bloomed
By embracing every tiny breath,
Every atom, every attempt
At growing into our full spirit
Together,
As in a garden,
But like no garden we’ve ever seen.

What if we all bloomed
Our very selves and souls,
Together
In joint and several celebration,
Neither striving to be better
Nor fearing to be worse
Than each other.

What if we all bloomed
Our souls
In one grand community?
Would that be heaven?

–V. Doerper, 05.05.13

“Roadmap to Writing Your Book”: Six Months of Classes

The Red Wheelbarrow Writers and Village Books present a new six-month writing program, “Roadmap to Writing Your Book,” to be held at the Village Inn in Fairhaven once a month. In these monthly workshops, you’ll learn about creating “SMART” goals, benchmarks, and schedules for your writing that will help you get your writing done at last. Find out how to make sure your project goals are reachable and reasonable, and then learn how to organize your writing time so that you can get to work.

Through the months ahead, writers who enroll in this six month program will participate in classes and group coaching sessions each month, taught by Red Wheelbarrow faculty members Laura Kalpakian, Cami Ostman, Nancy Adair, and Deb Currier. Sessions will focus on building the skills and habits you need in order to be successful at making significant progress on your narrative project by the end of 2013 (both fiction writers and narrative nonfiction writers are welcome). Classes will take place the third Thursday of each month from 6-9pm in the conference room at the Fairhaven Village Inn, 1200 10th Street, Bellingham, WA 98225. Tuition is $399 and includes a copy of Priscilla Long’s book, The Writer’s Portable  Mentor. Registration is available at the main counter at Village Books, 1200 11th Street.

 

Class schedule:

May: How Do You Write?: Working with Your Myers/Briggs Profile to Create Optimal Work Habits and The Six Traits of Good Writing. This is a three-hour seminar which will start you off on the right foot. Content focuses on helping you know yourself as a writer and directing you to keep an eye on the general aspects of good writing while producing manuscript.

June: Narrative arc in book-length fiction and nonfiction. Instruction and group coaching.

July: Character development. Instruction and group coaching.

August: Writing effective dialogue. Instruction and group coaching.

September: Manuscript revision. A three-hour workshop with writing prompts that will teach you how to have an eye for structural revision.

October: Reading in public. Instruction and practice to help you get ready for your author reading.

November: Author reading at Village Books. Choose a portion of your work to read to an audience at Village Books.

 

For more information, contact Cami at clostman@live.com

David Guterson in Bellingham

Red Wheelbarrow Writer Nancy Adair shares her notes from the David Guterson talk at WWU on February 21.

Why write? Are art and imagination worthwhile? Does poetry do society any good?

David Guterson has been writing for thirty years—he’d been writing for seventeen when Snow Falling on Cedars was published—but he still struggles with these questions as he tries to justify his life as an author. In his workshop for fellow writers last Thursday at WWU, he offered several answers to the above questions.

  1. He writes because he is driven, he has a compulsion. But in his mind, writing just to answer the call is not enough to justify a career of it.
  2. Some writers claim to be entertainers, purveyors of delight, participating in one of the oldest professions in the world. But is that enough of a social justification?
  3. One audience member offered the justification that reading is an escape. It helps people de-stress. Guterson replied that if that were the sole purpose, he would have become a masseur.
  4. Some writers feel they are whistling in the dark against the darkness, and writing gives them a connection to God.
  5. Tolstoy said art’s purpose is to “transfer emotion from one person to another.”
  6. Another writer said that art’s purpose is to deal with human loneliness. Writing connects humans and therefore mitigates loneliness. “Does it?” Guterson asked and then explained that we have to differentiate between solitude and loneliness.
  7. Mary Gordon’s Moral Fiction said that the novel is uniquely qualified to “tell the truth that sets us free—to be more moral, courageous and compassionate.” Story tellers ask the unanswerable questions and make us think. Some things cannot be known without careful pondering.

Guterson showed us that a lot of writers philosophize and fret over their own value. He said he subscribes to the Jungian concept of the collective unconscious. Writers are subject to “things beyond our control.” The words come from somewhere else—from the muse, perhaps—and writers are vessels who are called to transcribe the message.

For him, his career is justified when his writing has a social purpose. But, he warns, one should never begin a story with a social agenda. Though he did admit that Snow Falling began with a desire to expose a seldom examined social injustice in history. Yet, he emphasized, one should begin by focusing on the people—“spend time sketching your characters, getting into their hearts and minds, knowing what makes them human and what makes them different from you, the writer.” Be as true to the characters as possible. If writers honor the craft, then the social message will emerge organically.

And what does it mean to be true? He went round the urn a few times with “Beauty is truth, truth beauty,” but he ended up at the Red Wheelbarrow.  “Truth is the red wheelbarrow, itself. This is the manifesto of imagism. It means, ‘don’t give me a metaphor,’ give me the real thing.”

An audience member asked if that meant avoiding adjectives. “Yes,” he chuckled. Then he explained it deeper by reciting some haiku, capturing a true image at a moment in time. “Poetry,” he said, “is a way of putting yourself aside and letting the true thing emerge.”  As Dickinson wrote, “I’m nobody. Who are you?”

In the end, David Guterson believes that his writing must have a social justification, and that will happen only if he gets as close to the truth as possible.

Road Map to Writing Your Book in 2013–Your Plan!

Hi there Red Wheelbarrow Writers. We had a great call discussing how to create a plan to get your writing done.

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Worksheet here: 2013 Writing Planner

 

Note: We had a brief interruption in the conversation when the phone went dead. Fast forward for about a minute and the workshop picks up again.